A fun time that doesn’t take itself incredibly seriously, but still falls victim to the “Irish people writing Irish people like English people” type of humour. I suppose it’s not for me to comment on, but it’s not a style of humour that’s very nuanced or subtle.
Where Let the Wrong One In exceeds is it’s filmmaking. With amazing practical effects and stop motion along with some good splatstick gags, it captures the tone and atmosphere of cult horror classics with Evil Dead coursing in its veins.
A fun time that doesn’t take itself incredibly seriously, but still falls victim to the “Irish people writing Irish people like English people” type of humour. I suppose it’s not for me to comment on, but it’s not a style of humour that’s very nuanced or subtle.
Where Let the Wrong One In exceeds is it’s filmmaking. With amazing practical effects and stop motion along with some good splatstick gags, it captures the tone and atmosphere of cult horror classics with Evil Dead coursing in its veins.
