The Intruder backdrop
The Intruder logo
1962·Drama·1h 24m
7.1
A man in a gleaming white suit comes to a small Southern town on the eve of integration. He calls himself a social reformer. But what he does is stir up trouble--trouble he soon finds he can't control.
Directed by Roger Corman
based on novel or book
ku klux klan
racial segregation
integration
beating
racism
racial tension
lynch mob
pro integration
unlikely hero
bombed church
troublemaker
lier
forced sex
small southern town
deep south
racist murder
agitation
instigation
integrated schools

Cast

William Shatner
William Shatner
Adam Cramer
Frank Maxwell
Frank Maxwell
Tom McDaniel
Robert Emhardt
Robert Emhardt
Verne Shipman
Leo Gordon
Leo Gordon
Sam Griffin
Charles Beaumont
Charles Beaumont
Mr. Paton
George Clayton Johnson
George Clayton Johnson
Phil West
Jeanne Cooper
Jeanne Cooper
Vi Griffin

Crew

Roger Corman
Roger Corman
Director
Charles Beaumont
Charles Beaumont
Writer
Ronald Sinclair
Ronald Sinclair
Editor
Roger Corman
Roger Corman
Producer
Charles Beaumont
Charles Beaumont
Novel

Popular Reviews

25 reviews
Gordon Cole
Gordon Cole
The Intruder
External agitators and radical activists hmmmmmm where have I seen this before
External agitators and radical activists hmmmmmm where have I seen this before
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Jonathan
Jonathan
The Intruder
a sharp, unsettling slice of american tension, and while its low budget shows, its impact doesn’t. william shatner delivers one of his most chilling performances as a smooth-talking agitator who weaponizes fear and prejudice in a small southern town. the film’s rawness actually works in its favour, the rough edges make the racism, anger, and manipulation feel uncomfortably real. it’s not perfect, sometimes leaning too heavily on speechifying, but its courage and blunt force make it a striking, ahead-of-its-time drama that still hits hard.
a sharp, unsettling slice of american tension, and while its low budget shows, its impact doesn’t. william shatner delivers one of his most chilling performances as a smooth-talking agitator who weaponizes fear and prejudice in a small southern town. the film’s rawness actually works in its favour, the rough edges make the racism, anger, and manipulation feel uncomfortably real. it’s not perfect, sometimes leaning too heavily on speechifying, but its courage and blunt force make it a striking, ahead-of-its-time drama that still hits hard.
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MadVlasters
MadVlasters
The Intruder
It is so interesting that this was Corman directing and producing. Overall, I think its very well made and people weren't wrong, William Shatner gives the performance of his career, but its too much a white savior movie for me to fully give it its stars. Groundbreaking for the time, but for modern times it rings a bit hollow. Lib fantasy of saying "oh these people don't really want to kill that black child, they just want to be led around by a man in power, we can all go back to being chill again." Like its just aggressively and sadly not how this works whatsoever, and as a warning for southerners at the time, they should've really leaned into the evil wickedness that is the KKK and white supremacy.
It is so interesting that this was Corman directing and producing. Overall, I think its very well made and people weren't wrong, William Shatner gives the performance of his career, but its too much a white savior movie for me to fully give it its stars. Groundbreaking for the time, but for modern times it rings a bit hollow. Lib fantasy of saying "oh these people don't really want to kill that black child, they just want to be led around by a man in power, we can all go back to being chill again." Like its just aggressively and sadly not how this works whatsoever, and as a warning for southerners at the time, they should've really leaned into the evil wickedness that is the KKK and white supremacy.
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Dennis
The Intruder
William Shatner is incredible, but the ending is so strange. Are the townspeople meant to be redeemable for what they do at the end? I don’t think they can be, but it seems like that’s what this is angling for. Really it just feels like they all circle back to who they were at the beginning of the film. Every white character in this movie (who remain the focus for almost the entirety of this) at best kinda sucks and at worst is literally evil. 
Maybe Corman and co. are trying to make the point that racism is just so pervasive that it would be idealistic and naive to end it off on a note where all the racist white people actually learn something and do change, but if that’s the case I think you need to show that reality in action. Ending it the way they do doesn’t get that across, instead it seems like they’re acting in a way that signifies some character growth (wow they ignoring the racist guy!!!!!) when common sense says they’re the same people that they were 10 minutes ago. All the racism doesn’t come and go with Adam Cramer
William Shatner is incredible, but the ending is so strange. Are the townspeople meant to be redeemable for what they do at the end? I don’t think they can be, but it seems like that’s what this is angling for. Really it just feels like they all circle back to who they were at the beginning of the film. Every white character in this movie (who remain the focus for almost the entirety of this) at best kinda sucks and at worst is literally evil. 
Maybe Corman and co. are trying to make the point that racism is just so pervasive that it would be idealistic and naive to end it off on a note where all the racist white people actually learn something and do change, but if that’s the case I think you need to show that reality in action. Ending it the way they do doesn’t get that across, instead it seems like they’re acting in a way that signifies some character growth (wow they ignoring the racist guy!!!!!) when common sense says they’re the same people that they were 10 minutes ago. All the racism doesn’t come and go with Adam Cramer
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Tisbutascratch
Tisbutascratch
The Intruder
Frightening score. And a character with quite a few parallels to… a more modern person of interest. 

I’m curious how the initial reactions were.
Frightening score. And a character with quite a few parallels to… a more modern person of interest. 

I’m curious how the initial reactions were.
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The Intruder (1962) | Flick