L'altroieri ho iniziato al leggere il romanzo di Sciascia, ieri sera l'ho finito, e loggandolo su storygraph, ho scoperto dell'esistenza di questo film da una recensione.
Mai pensavo che avrei potuto dire certe parole in vita mia, ma il libro è meglio del film.

L'altroieri ho iniziato al leggere il romanzo di Sciascia, ieri sera l'ho finito, e loggandolo su storygraph, ho scoperto dell'esistenza di questo film da una recensione.
Mai pensavo che avrei potuto dire certe parole in vita mia, ma il libro è meglio del film.

How unfair can justice be in Italy?
The bleak reality of life in the poorer regions of southern Italy, combined with the deep-rooted corruption of our entire system, remains one of the country’s greatest tragedies. Yet these elements are precisely what give Italian crime films a depth far beyond what the genre typically promises. A ciascuno il suo is incredibly realistic in showing how cruel and ruthless life can be in such environments.
I especially loved the first funeral scene: it’s a masterpiece in depicting the hierarchies and social structure of a small Southern Italian town. It captures with striking accuracy how these close communities attribute a sense of importance and authority to certain individuals who, outside that narrow context, would hold no real power. This scene also serves as a brilliant foreshadowing of the final funeral sequence, making it even more powerful. It highlights how little these people truly care about the person who has died, treating the ceremony instead as a moment of collective social display.
A sad reflection of our country’s reality.

How unfair can justice be in Italy?
The bleak reality of life in the poorer regions of southern Italy, combined with the deep-rooted corruption of our entire system, remains one of the country’s greatest tragedies. Yet these elements are precisely what give Italian crime films a depth far beyond what the genre typically promises. A ciascuno il suo is incredibly realistic in showing how cruel and ruthless life can be in such environments.
I especially loved the first funeral scene: it’s a masterpiece in depicting the hierarchies and social structure of a small Southern Italian town. It captures with striking accuracy how these close communities attribute a sense of importance and authority to certain individuals who, outside that narrow context, would hold no real power. This scene also serves as a brilliant foreshadowing of the final funeral sequence, making it even more powerful. It highlights how little these people truly care about the person who has died, treating the ceremony instead as a moment of collective social display.
A sad reflection of our country’s reality.

How unfair can justice be in Italy?
The bleak reality of life in the poorer regions of southern Italy, combined with the deep-rooted corruption of our entire system, remains one of the country’s greatest tragedies. Yet these elements are precisely what give Italian crime films a depth far beyond what the genre typically promises. A ciascuno il suo is incredibly realistic in showing how cruel and ruthless life can be in such environments.
I especially loved the first funeral scene: it’s a masterpiece in depicting the hierarchies and social structure of a small Southern Italian town. It captures with striking accuracy how these close communities attribute a sense of importance and authority to certain individuals who, outside that narrow context, would hold no real power. This scene also serves as a brilliant foreshadowing of the final funeral sequence, making it even more powerful. It highlights how little these people truly care about the person who has died, treating the ceremony instead as a moment of collective social display.
A sad reflection of our country’s reality.

How unfair can justice be in Italy?
The bleak reality of life in the poorer regions of southern Italy, combined with the deep-rooted corruption of our entire system, remains one of the country’s greatest tragedies. Yet these elements are precisely what give Italian crime films a depth far beyond what the genre typically promises. A ciascuno il suo is incredibly realistic in showing how cruel and ruthless life can be in such environments.
I especially loved the first funeral scene: it’s a masterpiece in depicting the hierarchies and social structure of a small Southern Italian town. It captures with striking accuracy how these close communities attribute a sense of importance and authority to certain individuals who, outside that narrow context, would hold no real power. This scene also serves as a brilliant foreshadowing of the final funeral sequence, making it even more powerful. It highlights how little these people truly care about the person who has died, treating the ceremony instead as a moment of collective social display.
A sad reflection of our country’s reality.

How unfair can justice be in Italy?
The bleak reality of life in the poorer regions of southern Italy, combined with the deep-rooted corruption of our entire system, remains one of the country’s greatest tragedies. Yet these elements are precisely what give Italian crime films a depth far beyond what the genre typically promises. A ciascuno il suo is incredibly realistic in showing how cruel and ruthless life can be in such environments.
I especially loved the first funeral scene: it’s a masterpiece in depicting the hierarchies and social structure of a small Southern Italian town. It captures with striking accuracy how these close communities attribute a sense of importance and authority to certain individuals who, outside that narrow context, would hold no real power. This scene also serves as a brilliant foreshadowing of the final funeral sequence, making it even more powerful. It highlights how little these people truly care about the person who has died, treating the ceremony instead as a moment of collective social display.
A sad reflection of our country’s reality.

How unfair can justice be in Italy?
The bleak reality of life in the poorer regions of southern Italy, combined with the deep-rooted corruption of our entire system, remains one of the country’s greatest tragedies. Yet these elements are precisely what give Italian crime films a depth far beyond what the genre typically promises. A ciascuno il suo is incredibly realistic in showing how cruel and ruthless life can be in such environments.
I especially loved the first funeral scene: it’s a masterpiece in depicting the hierarchies and social structure of a small Southern Italian town. It captures with striking accuracy how these close communities attribute a sense of importance and authority to certain individuals who, outside that narrow context, would hold no real power. This scene also serves as a brilliant foreshadowing of the final funeral sequence, making it even more powerful. It highlights how little these people truly care about the person who has died, treating the ceremony instead as a moment of collective social display.
A sad reflection of our country’s reality.

Completamente obcecado pelo Gian Maria que homem, que mito esquerdista gostoso. Só por ele já valia a pena, mas que bom que dei uma chance para esse filme, porque realmente entregou mais do que esperado.

A fotografia é lindíssima, a trilha sonora impecável e as atuações (especialmente a do Gian) são absurdas. O enredo me prendeu do começo ao fim e me deixou genuinamente chocado no final. Puro cinema de homens de terno mafiosos.

Gostei MUITO dos cenários, realmente um espetáculo por si só. As casas, as paisagens, a natureza... tudo tão magnífico que me fez ter vontade de largar tudo e morar na Itália só para viver aquele clima.

No fim, quem realmente comanda a sociedade são os ricos e poderosos, seja dentro do Estado ou à margem dele. E quem tenta desafiar esse sistema apodrecido acaba sendo morto de forma cruel.

Uma verdadeira joia do cinema italiano que merecia ser muito mais comentada.

Completamente obcecado pelo Gian Maria que homem, que mito esquerdista gostoso. Só por ele já valia a pena, mas que bom que dei uma chance para esse filme, porque realmente entregou mais do que esperado.

A fotografia é lindíssima, a trilha sonora impecável e as atuações (especialmente a do Gian) são absurdas. O enredo me prendeu do começo ao fim e me deixou genuinamente chocado no final. Puro cinema de homens de terno mafiosos.

Gostei MUITO dos cenários, realmente um espetáculo por si só. As casas, as paisagens, a natureza... tudo tão magnífico que me fez ter vontade de largar tudo e morar na Itália só para viver aquele clima.

No fim, quem realmente comanda a sociedade são os ricos e poderosos, seja dentro do Estado ou à margem dele. E quem tenta desafiar esse sistema apodrecido acaba sendo morto de forma cruel.

Uma verdadeira joia do cinema italiano que merecia ser muito mais comentada.