1930·Drama·1h 23m
7.0
★
When a woman discovers that her husband has been unfaithful, she decides to pay him back in kind.
Directed by Robert Z. Leonard
new year's eve
infidelity
husband wife relationship
based on novel or book
double moral standard
wedding
divorce
extramarital affair
pre-code
ex-husband ex-wife relationship
IMDB
N/A
Where to Watch
Cast
Norma Shearer
Jerry
Chester Morris
Ted
Conrad Nagel
Paul
Robert Montgomery
Don
Florence Eldridge
Helen
Helene Millard
Mary
Robert Elliott
Bill
Mary Doran
Janice
Tyler Brooke
Hank
George Irving
Dr. Bernard
Judith Wood
Dorothy
Crew
Robert Z. Leonard
Director
Nick Grindé
Screenplay
Robert Z. Leonard
Producer
Adrian
Costume Designer
Cedric Gibbons
Production Design
John Meehan
Script Supervisor
Douglas Shearer
Sound Director
John Meehan
Dialogue
Popular Reviews
33 reviews
annie
8.0★ · 01/27/26
“all men are fair game from now on!”
norma shearer is an absolute icon. i love her so much. she’s so pretty and talented and she absolutely deserved that oscar for this role
2026 ranked ⋆‧°𓏲ּ𝄢
“all men are fair game from now on!”
norma shearer is an absolute icon. i love her so much. she’s so pretty and talented and she absolutely deserved that oscar for this role
2026 ranked ⋆‧°𓏲ּ𝄢
2
viv
8.0★ · 07/01/26
WHY WOULD YOU CHEAT ON NORMA???
WHY WOULD YOU CHEAT ON NORMA???
geo
8.0★ · 04/20/26
Knew this would be a wild ride when Norma Shearer's name was larger than the title card in the opening credits. Shearer is endlessly charming, the drama is endlessly camp; in a sense, precisely my thing.
Knew this would be a wild ride when Norma Shearer's name was larger than the title card in the opening credits. Shearer is endlessly charming, the drama is endlessly camp; in a sense, precisely my thing.
Carly Gravley
7.0★ · 03/03/26
“I’ve balanced our accounts.” Okay, Norma!!
We love to see to see an early talkie that’s competently constructed and paced. Pre-codes can be so fun, but the earliest ones tend to feel stiff and tedious due to all the growing pains that came with the transition to sound. This one is so much more loose and fun!
The ending is terrible, but it was always going to be. We can’t be out here letting women be too empowered and independent in nineteen hundred and thirty.
We love to see to see an early talkie that’s competently constructed and paced. Pre-codes can be so fun, but the earliest ones tend to feel stiff and tedious due to all the growing pains that came with the transition to sound. This one is so much more loose and fun!
The ending is terrible, but it was always going to be. We can’t be out here letting women be too empowered and independent in nineteen hundred and thirty.
“I’ve balanced our accounts.” Okay, Norma!!
We love to see to see an early talkie that’s competently constructed and paced. Pre-codes can be so fun, but the earliest ones tend to feel stiff and tedious due to all the growing pains that came with the transition to sound. This one is so much more loose and fun!
The ending is terrible, but it was always going to be. We can’t be out here letting women be too empowered and independent in nineteen hundred and thirty.
We love to see to see an early talkie that’s competently constructed and paced. Pre-codes can be so fun, but the earliest ones tend to feel stiff and tedious due to all the growing pains that came with the transition to sound. This one is so much more loose and fun!
The ending is terrible, but it was always going to be. We can’t be out here letting women be too empowered and independent in nineteen hundred and thirty.
Maranda
7.0★ · 01/25/26
Wow fuck all those guys tbh
Wow fuck all those guys tbh