Was in the mood for a violent revenge flick and boy did this deliver.

Great story that doesn’t drag on and gets to the point from the get go. Very satisfying at times and extremely violent when it needs to be.

Was in the mood for a violent revenge flick and boy did this deliver.

Great story that doesn’t drag on and gets to the point from the get go. Very satisfying at times and extremely violent when it needs to be.

Scouse john wick

Scouse john wick

Love the writing, directing felt like eternal sunshine

Love the writing, directing felt like eternal sunshine

The shit bro did to that bitch is fucking satisfying

The shit bro did to that bitch is fucking satisfying

Directed with such urgency, such anger and vim by the wonderful Paul Andrew Williams, Bull is a really good, relentless revenge thriller - with such intense bloody violence that only a British indie could get away with.

There’s some recognisable faces in the cast here, which could insinuate some sort of negative, trope-y ‘Eastend gangsta’ film but it never really veers that way, sure, it’s trope-y but it uses them in interesting ways and the supernatural road it takes isn’t cringe either.

Obviously the stand out here is Neil Maskell, who smashes it on the head. Every ounce of resentment oozes out of every pour. It’s a powerhouse performance, echoing that of Paddy Considine from Dead Man’s Shoes - which is a clear influence here. 

Bull isn’t moving any mountains but it is a solid, solid film with some over the top, but ultimately satisfying violence. It goes down a route you’d expect but second guess on that expectation and it sticks the landing it sets out for. Very decent.

Directed with such urgency, such anger and vim by the wonderful Paul Andrew Williams, Bull is a really good, relentless revenge thriller - with such intense bloody violence that only a British indie could get away with.

There’s some recognisable faces in the cast here, which could insinuate some sort of negative, trope-y ‘Eastend gangsta’ film but it never really veers that way, sure, it’s trope-y but it uses them in interesting ways and the supernatural road it takes isn’t cringe either.

Obviously the stand out here is Neil Maskell, who smashes it on the head. Every ounce of resentment oozes out of every pour. It’s a powerhouse performance, echoing that of Paddy Considine from Dead Man’s Shoes - which is a clear influence here. 

Bull isn’t moving any mountains but it is a solid, solid film with some over the top, but ultimately satisfying violence. It goes down a route you’d expect but second guess on that expectation and it sticks the landing it sets out for. Very decent.