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2023·Drama·1h 55m
7.2
A young man is working as a housekeeper in an empty mansion. When its owner returns to start his mayoral election campaign, the young man bonds with him and defends him when his campaign is vandalized, setting off a chain of violence.
Directed by Makbul Mubarak
general
political thriller
power abuse
terrifying
political
disturbed person
wrong power

Cast

Kevin Ardilova
Kevin Ardilova
Rakib
Arswendy Bening Swara
Arswendy Bening Swara
Purna
Yusuf Mahardika
Yusuf Mahardika
Agus
Lukman Sardi
Lukman Sardi
Soewito
Yudi Ahmad Tajudin
Yudi Ahmad Tajudin
Smuggler
Rukman Rosadi
Rukman Rosadi
Amir (Rakib's Father)
Haru Sandra
Haru Sandra
Andri
Ibnu Widodo
Ibnu Widodo
Galih
Gunawan Maryanto
Gunawan Maryanto
Construction Worker 1
M. Reza Fahriyansyah
M. Reza Fahriyansyah
Construction Worker 2
Ganesya
Ganesya
Construction Worker 4
Siti Fauziah
Siti Fauziah
Phone Card Seller

Crew

Makbul Mubarak
Makbul Mubarak
Director
Makbul Mubarak
Makbul Mubarak
Writer
Carlo Francisco Manatad
Carlo Francisco Manatad
Editor
Wojciech Staroń
Wojciech Staroń
Director of Photography
Yulia Evina Bhara
Yulia Evina Bhara
Producer
Ganesya
Ganesya
Producer
Nicole Gerhards
Nicole Gerhards
Producer
Robin Moran
Robin Moran
Producer
Jeremy Chua
Jeremy Chua
Producer
Armi Rae Cacanindin
Armi Rae Cacanindin
Producer
Anismcaw
Anismcaw
Costume Designer
L.H. Aim Adi Negara
L.H. Aim Adi Negara
Sound

Popular Reviews

65 reviews
mánz gonzález
mánz gonzález
Autobiography
okay, good, I like it
okay, good, I like it
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Raihan Fasihullisan
Autobiography
This film induces pure anxiety. Makbul Mubarak builds a deeply suffocating atmosphere out of quiet stares and tense whispers inside a massive, shadowy mansion. Arswendy Bening Swara is terrifying as Purna, weaponizing his fatherly warmth to groom his young housekeeper. Watching Kevin Ardilova slowly realize he is trapped with a monster is a deeply stressful experience.

The film peaks with the poster vandal. Rakib brings the kid to Purna expecting a standard, stern scolding. The bedroom door closes. The camera stays outside. When Purna finally walks out, he is completely calm. He adjusts his clothes, making casual conversation as if he just finished a mundane business meeting, not an act of horrific violence. The pacing is relentlessly deliberate, demanding you sit in the uncomfortable silence for long, agonizing stretches. When the payoff finally arrives, it hits incredibly hard.
This film induces pure anxiety. Makbul Mubarak builds a deeply suffocating atmosphere out of quiet stares and tense whispers inside a massive, shadowy mansion. Arswendy Bening Swara is terrifying as Purna, weaponizing his fatherly warmth to groom his young housekeeper. Watching Kevin Ardilova slowly realize he is trapped with a monster is a deeply stressful experience.

The film peaks with the poster vandal. Rakib brings the kid to Purna expecting a standard, stern scolding. The bedroom door closes. The camera stays outside. When Purna finally walks out, he is completely calm. He adjusts his clothes, making casual conversation as if he just finished a mundane business meeting, not an act of horrific violence. The pacing is relentlessly deliberate, demanding you sit in the uncomfortable silence for long, agonizing stretches. When the payoff finally arrives, it hits incredibly hard.
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sushinoobz
sushinoobz
Autobiography
It's not that deep
It's not that deep
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Bimo
Bimo
Autobiography
"siapa bilang saya suka kopi?" 💀💀💀
"siapa bilang saya suka kopi?" 💀💀💀
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Arsha
Arsha
Autobiography
7,5/10

si jendral maen nya kelewatan cik😝
7,5/10

si jendral maen nya kelewatan cik😝
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