❝Just as the skirt needs the wind to billow, I'm not formed by things that are of myself alone. I wear my father's belt tied around my mother's blouse, and shoes which are from my uncle. This is me. Just as a flower does not choose its color, we are not responsible for what we have come to be.❞
𐄁──── 。゚☆: .☽ .* :☆゚.────𐄁
I understand the vision behind Stoker, but for me it unfortunately falls a bit short. The performances from the cast, especially that of Mia Wasikowska and Matthew Goode, were brilliant, with the latter standing out to me a lot due to his almost robot-like acting. I really liked the camerawork; there were a lot of close-ups and geometric shapes within compositions that along with the very fluid transitions gave the film an unsettling atmosphere that matched the main plot points well. The colour grading/palette was also pretty dark without becoming bleak, which again accentuated the psychological tension felt by India. The main issues for me were with the actual story and pacing; the first forty minutes or so were incredibly dull filler that began building up to the better second half quite late, and Charlie's motivations were revealed very near the end, which meant that the majority of the film was spent wondering why certain things were happening. I also just wasn't a fan of the incest vibes I was getting from Charlie, so a lot of his scenes with India were very uncomfortable to watch. So, on the whole, while I really like Park Chan-wook's other works, Stoker isn't for me.
❝Just as the skirt needs the wind to billow, I'm not formed by things that are of myself alone. I wear my father's belt tied around my mother's blouse, and shoes which are from my uncle. This is me. Just as a flower does not choose its color, we are not responsible for what we have come to be.❞
𐄁──── 。゚☆: .☽ .* :☆゚.────𐄁
I understand the vision behind Stoker, but for me it unfortunately falls a bit short. The performances from the cast, especially that of Mia Wasikowska and Matthew Goode, were brilliant, with the latter standing out to me a lot due to his almost robot-like acting. I really liked the camerawork; there were a lot of close-ups and geometric shapes within compositions that along with the very fluid transitions gave the film an unsettling atmosphere that matched the main plot points well. The colour grading/palette was also pretty dark without becoming bleak, which again accentuated the psychological tension felt by India. The main issues for me were with the actual story and pacing; the first forty minutes or so were incredibly dull filler that began building up to the better second half quite late, and Charlie's motivations were revealed very near the end, which meant that the majority of the film was spent wondering why certain things were happening. I also just wasn't a fan of the incest vibes I was getting from Charlie, so a lot of his scenes with India were very uncomfortable to watch. So, on the whole, while I really like Park Chan-wook's other works, Stoker isn't for me.