What an absolute treat Mammootty is. I thought the utter absence of camera movements altogether was very interesting, it certainly adds to the minimalism and groundedness that this film seeks to emulate. The only time this is broken is when his identity as Sundaram is upheaved when he is told that the barber he regularly goes to, is long dead. And I think that's beautiful filmmaking.
What an absolute treat Mammootty is. I thought the utter absence of camera movements altogether was very interesting, it certainly adds to the minimalism and groundedness that this film seeks to emulate. The only time this is broken is when his identity as Sundaram is upheaved when he is told that the barber he regularly goes to, is long dead. And I think that's beautiful filmmaking.