They need to bring back Mercedes’ that can do that.

The film spends too little time establishing who Nikita is as a person beyond her recklessness before putting her through “feminisation” classes. We are given enough to understand what these entail, in the eyes of a government agency who's primary goal isn’t to create “women” but rather transforming people without options into state sponsored killers. 

As a viewer you are still left wanting to root for her, she has nothing of her own, but still craves to create a life for herself. Unfortunately we are reminded that she is not living but rather allowed to stay alive as long as she continues to serve the purpose she was given.

They need to bring back Mercedes’ that can do that.

The film spends too little time establishing who Nikita is as a person beyond her recklessness before putting her through “feminisation” classes. We are given enough to understand what these entail, in the eyes of a government agency who's primary goal isn’t to create “women” but rather transforming people without options into state sponsored killers. 

As a viewer you are still left wanting to root for her, she has nothing of her own, but still craves to create a life for herself. Unfortunately we are reminded that she is not living but rather allowed to stay alive as long as she continues to serve the purpose she was given.

« elle a le regard qui tue tchikita, cheveux longs comme nikita » la rue influence paname et paname influence le monde disaient ils

« elle a le regard qui tue tchikita, cheveux longs comme nikita » la rue influence paname et paname influence le monde disaient ils

dommage je commençais a bien aimé avant toute la partie avec Jean Reno qui n’avait aucun sens..
les dialogues sont peu crédible (a cause de l’acting vrm bancal par moments) 
les musiques étaient vraiment cool et je me suis pas ennuyée
un peu le seum d’avoir apprécié un film de Luc Besson fin bref

dommage je commençais a bien aimé avant toute la partie avec Jean Reno qui n’avait aucun sens..
les dialogues sont peu crédible (a cause de l’acting vrm bancal par moments) 
les musiques étaient vraiment cool et je me suis pas ennuyée
un peu le seum d’avoir apprécié un film de Luc Besson fin bref

this was incredible. it was a stylish, riveting film that acts as a perfect representation of an addict’s trauma during forced rehabilitation and the rediscovery of one’s identity. it was filled with intriguing shots and beautiful surroundings.

not only is it a perfect display of Nikita’s journey, it also provides a fresh take on the femme fatale character and almost protests the idea that these characters are malicious. instead of a seductive, cold hearted women we often see in this trope we are introduced to a vulnerable character with depth and hardship. we understand the reasonings behind her wrongdoings and her violent nature is only a result of her trauma.

I liked this from the start to end!!

this was incredible. it was a stylish, riveting film that acts as a perfect representation of an addict’s trauma during forced rehabilitation and the rediscovery of one’s identity. it was filled with intriguing shots and beautiful surroundings.

not only is it a perfect display of Nikita’s journey, it also provides a fresh take on the femme fatale character and almost protests the idea that these characters are malicious. instead of a seductive, cold hearted women we often see in this trope we are introduced to a vulnerable character with depth and hardship. we understand the reasonings behind her wrongdoings and her violent nature is only a result of her trauma.

I liked this from the start to end!!

Aquí sigo, tirándomelas de cinéfilo. Ayer tocó una peli francesa que me encontré en lo más profundo de mi watchlist.

Una trama no muy original aunque suficiente para que mantengas el interés.

Sin duda lo mejor es el personaje de la protagonista, de hecho le da el nombre a la peli. Tiene una personalidad muy característica y marcada que hace que el conjunto de la película sea interesante. Aún siendo tan difícil de interpretar, consigue expresar emociones perfectamente. La escena de su cumpleaños en el restaurante es buenísima.

Aquí sigo, tirándomelas de cinéfilo. Ayer tocó una peli francesa que me encontré en lo más profundo de mi watchlist.

Una trama no muy original aunque suficiente para que mantengas el interés.

Sin duda lo mejor es el personaje de la protagonista, de hecho le da el nombre a la peli. Tiene una personalidad muy característica y marcada que hace que el conjunto de la película sea interesante. Aún siendo tan difícil de interpretar, consigue expresar emociones perfectamente. La escena de su cumpleaños en el restaurante es buenísima.