

2022·Drama·2h 9m
7.1
★





Hitomi Saito has been climbing the ranks for years and is set to direct an anime series for the first time, while brilliant director Chiharu Oji is about to make his big comeback after nearly a decade.
Directed by Kohei Yoshino
based on novel or book

IMDB
N/A
Cast

Riho Yoshioka
Hitomi Saito

Tomoya Nakamura
Chiharu Ouji

Tasuku Emoto
Satoru Yukishiro

Machiko Ono
Kayako Arishina

Asuka Kudo
Shuhei Munemori

Kanji Furutachi
Koshigaya

Karin Ono
Kazuna Namisawa

Yuu Tokui
Maeyamada

Marika Kouno
Aoi Shono

Rokkaku Seiji
Seki

Tomoya Maeno
Negishi

Romi Park
Narrator
Crew

Kohei Yoshino
Director

Takashi Otsuka
Co-Director

Yoshihiro Ike
Original Music Composer

Takayuki Yanase
Mechanical Designer

Takashi Otsuka
Second Unit Director

Mizuki Tsujimura
Novel

Takashi Otsuka
Storyboard Artist

Hiroyuki Yoshida
CGI Director

Genie high
Theme Song Performance
Popular Reviews
9 reviews
Michi
7.0★ · 05/29/25

Girlfailure final boss
Girlfailure final boss
Adil Sayyad
6.0★ · 12/01/24

Where would the anime landscape be if it wasn't for Anime Supremacy telling us?
Hitomi Saito (Riho Yoshioka), an upstart director, finds herself in competition with a renowned anime director making a comeback after a decade, Chiharu Oji (Tomoya Nakamura), for ratings.
Yoshioka and Nakamura are good enough leads to make this film watchable. They understand their characters perfectly and portray them with the right amount of passion and emotions. There isn't much depth to the characters, but they still give their best.
I was a fan of its animation direction. The style to show the ratings of the shows was really creative. However, I found the movie to be too simplistic at times. The motive for Saito to enter the industry seemed flimsy at best and while it portrays the passion of these artists who make animes, it for some reason glorifies the grind making you wonder if this was sponsored by those anime companies in the first place.
It also ignores all the controversies that these creators go through like long work hours and underpayment and asks us to put a rose-tinted glass for the love of anime.
Hitomi Saito (Riho Yoshioka), an upstart director, finds herself in competition with a renowned anime director making a comeback after a decade, Chiharu Oji (Tomoya Nakamura), for ratings.
Yoshioka and Nakamura are good enough leads to make this film watchable. They understand their characters perfectly and portray them with the right amount of passion and emotions. There isn't much depth to the characters, but they still give their best.
I was a fan of its animation direction. The style to show the ratings of the shows was really creative. However, I found the movie to be too simplistic at times. The motive for Saito to enter the industry seemed flimsy at best and while it portrays the passion of these artists who make animes, it for some reason glorifies the grind making you wonder if this was sponsored by those anime companies in the first place.
It also ignores all the controversies that these creators go through like long work hours and underpayment and asks us to put a rose-tinted glass for the love of anime.
Where would the anime landscape be if it wasn't for Anime Supremacy telling us?
Hitomi Saito (Riho Yoshioka), an upstart director, finds herself in competition with a renowned anime director making a comeback after a decade, Chiharu Oji (Tomoya Nakamura), for ratings.
Yoshioka and Nakamura are good enough leads to make this film watchable. They understand their characters perfectly and portray them with the right amount of passion and emotions. There isn't much depth to the characters, but they still give their best.
I was a fan of its animation direction. The style to show the ratings of the shows was really creative. However, I found the movie to be too simplistic at times. The motive for Saito to enter the industry seemed flimsy at best and while it portrays the passion of these artists who make animes, it for some reason glorifies the grind making you wonder if this was sponsored by those anime companies in the first place.
It also ignores all the controversies that these creators go through like long work hours and underpayment and asks us to put a rose-tinted glass for the love of anime.
Hitomi Saito (Riho Yoshioka), an upstart director, finds herself in competition with a renowned anime director making a comeback after a decade, Chiharu Oji (Tomoya Nakamura), for ratings.
Yoshioka and Nakamura are good enough leads to make this film watchable. They understand their characters perfectly and portray them with the right amount of passion and emotions. There isn't much depth to the characters, but they still give their best.
I was a fan of its animation direction. The style to show the ratings of the shows was really creative. However, I found the movie to be too simplistic at times. The motive for Saito to enter the industry seemed flimsy at best and while it portrays the passion of these artists who make animes, it for some reason glorifies the grind making you wonder if this was sponsored by those anime companies in the first place.
It also ignores all the controversies that these creators go through like long work hours and underpayment and asks us to put a rose-tinted glass for the love of anime.
rukuzii
8.0★ · 08/04/24

If this is hard, just imagine MAPPA these days 💀
If this is hard, just imagine MAPPA these days 💀
SHEDY
8.0★ · 06/17/24

"it's about long-term impact, not numbers".
I loved how they focused on many other members such as animators,voice actors, producers..
Also, the way they displayed the weekly ranking of viewership in AR is so creative.
As an elitist, I'd root for soundback.
I loved how they focused on many other members such as animators,voice actors, producers..
Also, the way they displayed the weekly ranking of viewership in AR is so creative.
As an elitist, I'd root for soundback.
"it's about long-term impact, not numbers".
I loved how they focused on many other members such as animators,voice actors, producers..
Also, the way they displayed the weekly ranking of viewership in AR is so creative.
As an elitist, I'd root for soundback.
I loved how they focused on many other members such as animators,voice actors, producers..
Also, the way they displayed the weekly ranking of viewership in AR is so creative.
As an elitist, I'd root for soundback.
Cinetya
7.0★ · 06/14/24

Ini animenya boleh ditayangin beneran ga? Kepo banget pengen nonton juga😩😩😩
Ini animenya boleh ditayangin beneran ga? Kepo banget pengen nonton juga😩😩😩