2007·Action·1h 43m
7.0
★
A group of people who feel betrayed by their government and let down by their police force form a modern-day outlaw posse in order to right what they see as the wrongs of society.
Directed by Nick Love
london, england
police
return
arbitrary law
video surveillance
paratroops
iraq war veteran
lawyer
iraq war
security guard
Trailer
IMDB
N/A
Where to Watch
Cast
Sean Bean
Danny Bryant
Danny Dyer
Gene Dekker
Rupert Friend
Sandy Mardell
Sean Harris
Simon Hillier
Lennie James
Cedric Munroe
Bob Hoskins
Walter Lewis
Sally Bretton
Kelly
Emily Maitlis
Herself
George Anton
Sgt. Grieves
Dave Legeno
Walter Furlong
Ryan Gage
Manning's Lawyer
Igor Breakenback
Subaru Kid 2
Crew
Nick Love
Director
Nick Love
Writer
David Julyan
Original Music Composer
Sam McCurdy
Director of Photography
Gene Fallaize
Executive Producer
Allan Niblo
Producer
Rupert Preston
Producer
James Richardson
Producer
Laura Robinson
Executive Producer
Popular Reviews
6 reviews
Aaron McNameePRO
2.0★ · 05/20/26
My god why did this look like that? Fucking piss filter to the max.
Headache inducing almost.
Nick Love throws together a gang of angry blokes, gives them leather jackets and speeches about “society,” then mistakes constant shouting for depth.
The film desperately wants to be a hard hitting statement on crime and justice, but mostly feels like a pub rant that got wildly out of hand.
Every character talks like they’re auditioning to be quoted on a lad’s Facebook cover photo in 2008. The vigilante plot is less morally complex than the movie thinks it is, and the script keeps confusing cynicism with intelligence.
By the time the soundtrack swells for yet another slow-motion march through London, it’s hard not to laugh.
Sean Bean does his best with material that gives him approximately two expressions, furious and slightly more furious. Danny Dyer essentially plays “Danny Dyer reacting to society” for the entire runtime.
There’s probably an interesting film buried somewhere underneath all the macho posturing and moral panic, but Outlaw is too busy trying to look hard to actually say anything.
The fact this was on “legend tv” is concerning.
Headache inducing almost.
Nick Love throws together a gang of angry blokes, gives them leather jackets and speeches about “society,” then mistakes constant shouting for depth.
The film desperately wants to be a hard hitting statement on crime and justice, but mostly feels like a pub rant that got wildly out of hand.
Every character talks like they’re auditioning to be quoted on a lad’s Facebook cover photo in 2008. The vigilante plot is less morally complex than the movie thinks it is, and the script keeps confusing cynicism with intelligence.
By the time the soundtrack swells for yet another slow-motion march through London, it’s hard not to laugh.
Sean Bean does his best with material that gives him approximately two expressions, furious and slightly more furious. Danny Dyer essentially plays “Danny Dyer reacting to society” for the entire runtime.
There’s probably an interesting film buried somewhere underneath all the macho posturing and moral panic, but Outlaw is too busy trying to look hard to actually say anything.
The fact this was on “legend tv” is concerning.
My god why did this look like that? Fucking piss filter to the max.
Headache inducing almost.
Nick Love throws together a gang of angry blokes, gives them leather jackets and speeches about “society,” then mistakes constant shouting for depth.
The film desperately wants to be a hard hitting statement on crime and justice, but mostly feels like a pub rant that got wildly out of hand.
Every character talks like they’re auditioning to be quoted on a lad’s Facebook cover photo in 2008. The vigilante plot is less morally complex than the movie thinks it is, and the script keeps confusing cynicism with intelligence.
By the time the soundtrack swells for yet another slow-motion march through London, it’s hard not to laugh.
Sean Bean does his best with material that gives him approximately two expressions, furious and slightly more furious. Danny Dyer essentially plays “Danny Dyer reacting to society” for the entire runtime.
There’s probably an interesting film buried somewhere underneath all the macho posturing and moral panic, but Outlaw is too busy trying to look hard to actually say anything.
The fact this was on “legend tv” is concerning.
Headache inducing almost.
Nick Love throws together a gang of angry blokes, gives them leather jackets and speeches about “society,” then mistakes constant shouting for depth.
The film desperately wants to be a hard hitting statement on crime and justice, but mostly feels like a pub rant that got wildly out of hand.
Every character talks like they’re auditioning to be quoted on a lad’s Facebook cover photo in 2008. The vigilante plot is less morally complex than the movie thinks it is, and the script keeps confusing cynicism with intelligence.
By the time the soundtrack swells for yet another slow-motion march through London, it’s hard not to laugh.
Sean Bean does his best with material that gives him approximately two expressions, furious and slightly more furious. Danny Dyer essentially plays “Danny Dyer reacting to society” for the entire runtime.
There’s probably an interesting film buried somewhere underneath all the macho posturing and moral panic, but Outlaw is too busy trying to look hard to actually say anything.
The fact this was on “legend tv” is concerning.
Cybergemini777
2.0★ · 02/16/26
Claypolian
5.0★ · 05/28/23
Sam Llewellyn
4.0★ · 01/18/23
RobdoggydogPRO
2.0★ · 12/08/20