Elle essaye tellement d’être cool et badass que s’en est ridicule et caricatural ( comme presque tous les persos ) 
Reconversion de Keira Knightley dans la plomberie pour le nombre de fois où on voit sa raie

Elle essaye tellement d’être cool et badass que s’en est ridicule et caricatural ( comme presque tous les persos ) 
Reconversion de Keira Knightley dans la plomberie pour le nombre de fois où on voit sa raie

Demasiado filtro sepia para mis ojos, está editada de una manera muy sobrestimulante

Demasiado filtro sepia para mis ojos, está editada de una manera muy sobrestimulante

A frenetically-shot, violently-paced acid yellow drug trip of a movie. 

I’ve been wanting to watch Domino for a long time now, just to see what the movie was like that caused Keira Knightly to have to wear a wig and long sleeves for much of her Pride & Prejudice shooting, due to the choppy haircut and developing muscles she was beginning to sport in preparation for this role. I can’t say I wound up enjoying this movie, or Knightly’s character (beautifully androgynous and coolly brutal though she was), but the whole project certainly had a unique visual style going for it, and at the very least I can respect the unrelenting dedication to the aesthetic from all involved.

A frenetically-shot, violently-paced acid yellow drug trip of a movie. 

I’ve been wanting to watch Domino for a long time now, just to see what the movie was like that caused Keira Knightly to have to wear a wig and long sleeves for much of her Pride & Prejudice shooting, due to the choppy haircut and developing muscles she was beginning to sport in preparation for this role. I can’t say I wound up enjoying this movie, or Knightly’s character (beautifully androgynous and coolly brutal though she was), but the whole project certainly had a unique visual style going for it, and at the very least I can respect the unrelenting dedication to the aesthetic from all involved.

it was kind of a mess, but an interesting one. the style is cranked up to 100, super fast cuts, saturated colors, text flying on screen and after a while it just gets exhausting. tony scott definitely went all-in here, but it felt like too much for me.

there’s a cool story buried under all the chaos, and some of the moments are genuinely fun or intense, but it’s hard to care when the editing won’t sit still for more than two seconds. i liked keira knightley in the role, but everything around her felt loud for the sake of being loud.

it’s not boring, i’ll give it that but i just think it’s too stylish for its own good.

it was kind of a mess, but an interesting one. the style is cranked up to 100, super fast cuts, saturated colors, text flying on screen and after a while it just gets exhausting. tony scott definitely went all-in here, but it felt like too much for me.

there’s a cool story buried under all the chaos, and some of the moments are genuinely fun or intense, but it’s hard to care when the editing won’t sit still for more than two seconds. i liked keira knightley in the role, but everything around her felt loud for the sake of being loud.

it’s not boring, i’ll give it that but i just think it’s too stylish for its own good.