In the last part of Martin Scorsese's history of American cinema, he examines filmmakers who hid subversive or dangerous ideas within their movies, such as Nicholas Ray with Bigger Than Life and Orson Welles with Citizen Kane.
In the last part of Martin Scorsese's history of American cinema, he examines filmmakers who hid subversive or dangerous ideas within their movies, such as Nicholas Ray with Bigger Than Life and Orson Welles with Citizen Kane.
