Matteotti bir sosyalist gibi yansıtılmamış bu doğru değil mi bilmiyorum belkide gerçekte de salağın tekiydi. Moralism yapıyor, hukukun üstünlüğü diyor, iç savaşın meşrulaşmasından korkuyor böyle sosyalizm veya marksizm olmaz. Mussolini Matteotti’den daha iyidir. Onun dışında tarihsel olarak ana hatlarıyla doğru ve etkileyici ve sizinle iletişim halinde olan güzel bir anlatım vardı

Matteotti bir sosyalist gibi yansıtılmamış bu doğru değil mi bilmiyorum belkide gerçekte de salağın tekiydi. Moralism yapıyor, hukukun üstünlüğü diyor, iç savaşın meşrulaşmasından korkuyor böyle sosyalizm veya marksizm olmaz. Mussolini Matteotti’den daha iyidir. Onun dışında tarihsel olarak ana hatlarıyla doğru ve etkileyici ve sizinle iletişim halinde olan güzel bir anlatım vardı

Pardon me for logging a series, but this was way better than I expected. Luca Marinelli's performance was incredible.

I can excuse the fourth wall breaking conceit because it kind of worked in getting into the mind of Mussolini in a way that I imagine would've been very hard to do otherwise, and would have been cringy if not for how charismatic Marinelli's portrayal was. This was stylized in such a compelling way, and really intensified what could otherwise be a pretty paint by numbers historical bio miniseries. You really feel the unstoppable momentum of the descent into unchallenged fascism as it goes on in time.

Pardon me for logging a series, but this was way better than I expected. Luca Marinelli's performance was incredible.

I can excuse the fourth wall breaking conceit because it kind of worked in getting into the mind of Mussolini in a way that I imagine would've been very hard to do otherwise, and would have been cringy if not for how charismatic Marinelli's portrayal was. This was stylized in such a compelling way, and really intensified what could otherwise be a pretty paint by numbers historical bio miniseries. You really feel the unstoppable momentum of the descent into unchallenged fascism as it goes on in time.

8 episodios de puro teatro, comedia negra, y reflexion profunda acerca de los errores historicos y politicos que llevaron a Mussolini al poder

8 episodios de puro teatro, comedia negra, y reflexion profunda acerca de los errores historicos y politicos que llevaron a Mussolini al poder

4/5

pretty good

4/5

pretty good

This is an incredible achievement in contemporary European filmmaking, using the medium of television to make what is essentially an 8 hour long film about one of the continent's most infamous dictators. It is always great to see a television miniseries that is directed by a single director, making it completely cohesive and closer to the cinema, which is a great thing for a miniseries. This miniseries is very competently and stylistically directed by Pride & Prejudice director Joe Wright. The core performance, that of Luca Marinelli as Benito Mussolini, is completely transformative. There were moments where I fully believed I was watching Il Duce himself. This miniseries also makes a very bold stylistic choice that might baffle and even alienate some viewership, but I thought it was very poignant. Especially leading to the final spoken line at the very end of the last episode, it leads to an incredibly chilling effect that accentuates our position of spectatorship while also commenting on the spectatorship of people standing idly by while fascism is on the rise, both past and present.

This is an incredible achievement in contemporary European filmmaking, using the medium of television to make what is essentially an 8 hour long film about one of the continent's most infamous dictators. It is always great to see a television miniseries that is directed by a single director, making it completely cohesive and closer to the cinema, which is a great thing for a miniseries. This miniseries is very competently and stylistically directed by Pride & Prejudice director Joe Wright. The core performance, that of Luca Marinelli as Benito Mussolini, is completely transformative. There were moments where I fully believed I was watching Il Duce himself. This miniseries also makes a very bold stylistic choice that might baffle and even alienate some viewership, but I thought it was very poignant. Especially leading to the final spoken line at the very end of the last episode, it leads to an incredibly chilling effect that accentuates our position of spectatorship while also commenting on the spectatorship of people standing idly by while fascism is on the rise, both past and present.