Probably the most fun I will ever have watching a movie. Pure entertainment, from the jumbled mess of the non-linear narrative to the over-the-top gory violence to the incredibly dated but still relevant dialogue. Insanely quotable and insanely fun. Many people have tried it, but (unfortunately) only Tarantino can make it work. What a movie

This is a painting disguised as a movie. Not a lot is said, but it doesn't matter. Every ray of light is carefully placed exactly where it needs to be, and the melancholy and comfort that it gives matches the story perfectly. It makes you feel very small and made me wonder about what it means to be human. The single most beautiful piece of art ever made.

This rating is completely fuelled by nostalgia. There is not a single movie I have rewatched more often than this one. I can probably quote nearly every line while watching the movie. The most batshit insane mess of action, musical and comedy I have ever seen, and it always puts a smile on my face. A miracle that this was made, but I am glad that it was.

Never before has a movie felt so distant and so intimate at the same time. The exploration of both Jane and Travis happens with so much care and the perfect pacing makes the minimalist storytelling hit like a train when the final minutes of the movie kick in. The cinematography and soundtrack enhance this feeling of restraint and alienation to such high levels. Incredible film.

This is without question the single most exhilerating and interesting screenplay I have ever witnessed. Despite knowing nothing about the case and the jurors I was invested from the start, and I developed a personal disdain and preference for 12 (!) distinct angry men. No wasted moments, sharp and natural dialogue and enough shouting and theatrics to keep me entertained throughout. Exceptional stuff.

This is one of the most engaging character studies that I have seen. Everything feels completely plausible and real. The visuals are stunning too: I felt like I was transported to 70s New York. Every line is quotable, every action feels like it has a real weight to it, and the story has a heartbreaking realness to it. Incredibly memorable.

First of all, the movie looks incredible. It bombards you with crazy visuals and it feels like it all goes by very quickly. On the other hand, it is over three hours long with one of the most in-depth explorations of a genius I have seen in a movie. A movie that tells you a lot, but it somehow does not feel like much because it just flows so well and looks so great. Nolan's best, I'm pretty sure

The most gruelling and disgusting war film I've seen. It is relentless in its portrayal of trench warfare. It is to me very impressive how a movie that looks this spectacular can still be something I would probably not watch again. A movie that made me sit in silence after it ended, wondering how humanity ever let it come so far.

I had to watch this movie in class, and I am still not quite sure if it was the right setting for it but my god is this movie beautiful in a very depressing kind of way. Not because of the visuals, but the story and the people in the story are in such stark contrast to the setting that it works. A sliver of beauty in the most ugly time in humanities history, and this movie captures it.

The most impressive part about this movie is how beautiful it is, despite every location being the most disgusting backdrop there is. The framing, the tension and the symbolism are all turned up to eleven, with some incredibly memorable performances from three characters. Thematically and visually so dense that it is one of the most memorable films I have seen.

The most awe-inspiring movie I have ever seen, and that is without IMAX. Made me emotional on two occasions during its runtime, I think the only time a movie has made me do that. To be that great looking and have people still talk about the story is an incredible feat.

I don't think a character has ever felt as menacing in as little minutes as Hannibal in this movie. I think he is the scariest when he is not there actually. I have not often felt as tense during a movie as I was during this one. A great psychological horror film that even non-horror fans will appreciate.

What can I say? When you have 9 hours to build up to a grand finale, it could very well be the grandest finale ever put to screen. The payoff you get at the end of this trilogy is second to none. It is so massive, so emotional and so rewarding, it is probably better than crack. I don't know, I've never tried it, but it can't be too far off

Probably the movie ever. If I were to show one movie to someone who has never seen one before it would be this one. Excellent story that hits you right in the feels, excellent pacing, excellent acting. Just no notes, perfection

I don't think that there are any other movies that are this sad and still this inspiring. It is difficult to describe what vibe I get from this movie, it goes from uplifting to downright depressing to inspiring to downright depressing again in the span of like half an hour. A movie that I still think about a lot.

The funniest movie ever made in my opinion. Just a whole lot of nothing happening. Everyone's an idiot, everyone throws out the most quotable lines ever and the cinematography is incredible. Just awesome.

A movie that probably a different five-star on first and second watch. On first watch it is an excellent detective movie with some stunning visuals and fantastic pacing. On a second watch it is an exploration of guilt and craziness. Getting two five star movies out of one is quite incredible, but Shutter Island does it.

The craziest last 20 minutes of any movie ever. Just a really weird movie all around, in a good way. Just so far-fetched that it doesn't seem believable but that also makes it kind of awesome. If this review seems to tell you absolutely nothing about the film, I have done it justice.

This was a movie I liked way more than I thought I would. It is really weird, chaotic and overwhelming, but the story is very focused and heartwarming. One of those movies that you don't expect to hit you in the feels but that's probably why it does in the end

Two of the greatest actors of all time at their absolute best in one of the best crime movies ever made. The movie looks fantastic, the sound design is excellent, but De Niro and Pacino are the stars. Two geniuses in a genius movie. I am so glad this was made.

City of God is a masterpiece in storytelling and pacing. It tells a hundred different stories about a hundred different characters, but not one is underdeveloped and not one feels unimportant. It switches moods, energies and tension perfectly, jumping and cutting just when they should. An unbelievable feat in filmmaking.

The best oscarbait movie I've probably seen. Quite a believable exploration of what schizophrenia looks like, at least from what I've heard. Absolutely tragic and Russel Crowe is brilliant. This is the one film where the melodramatic atmosphere and the brown stained visuals work and add to the product.

An anxiety attack of a movie that you cannot look away from. 2,5 hours really flew by with this one. Completely nonsensical in parts while still telling a fantastic coherent story, with a flow like I have not often seen. Unbelievable frantic pacing in a movie I will surely watch again

I don't know how Villeneuve did it, but he made me care about a gigantic squid like alien. A minimalist movie in its storytelling, but I think it is all the better for it. A gripping watch, and one that makes you think about a lot of things apart from the themes in the film.

Without the complicated storyline this movie would already be an excellent action flick. On the other hand, the story elevates it to near perfection. And what about the music? Probably the defining 2010s blockbuster in my book. Very memorable and expertly crafted

Excellent pacing, excellent music, immaculate vibe, just cool as fuck. It is a two and a half hour movie, but it feels like one and a half. Continuous tension and a really satisfying watch all the way through.

Lawrence of Arabia could have probably consisted of four random screenshots and it would have been one of the most beautiful movies ever. A collection of oil paintings that just happen to have a gripping story about someone succumbing to success happen right in the middle of it. If you ever have nearly 4 hours to spare, I'd highly recommend watching it.

Admittedly, it has been a while since I watched this movie, but I remember that it breathes atmosphere. The world feels lived in, the characters feel real, however despicable they might be. A storytelling masterclass that could very well be 5/5 stars the next time I watch it. The defining dad movie.

Cool as fuck, the best use of blood I've seen in a film, and very memorable characters. By trying to subvert the western genre it has become one of the best films in that genre. Just so visually striking too, with many shots I can directly recall when thinking of this movie. Very well made, I should check this director out some time

I don't know what it particularly is, but this is one of the most beautiful films I have seen. It feels very grounded and fantastical at the same time. A very unique twist on the troubled genius niche I think, with two troubled geniuses troubling each other in this one. I did get a slight whiplash seeing David Bowie in this one though.

A very important film to watch at least once in your lifetime. It should serve as a stark reminder to never repeat the mistakes we once made. A very sad and angering movie at the same time. I am glad I watched it, but I will never watch it again.

A movie that shines in its silence and restraint. It is disheartening and inspiring to see how much strength one can muster in situations of extreme injustice. The protagonist carries a lot of gravity with her restrained performance and it makes for a very impactful movie

A very good investigative movie, with some awesome performances from the main cast. One of the scenes in this movie is one of the most tense I have ever seen, despite nothing really happening. Some things are best left unsaid, and that is definitely the case here. A thrilling watch through and through.

Martin Scorscese is a true master of his craft. This film is an excellent showcase of everything that makes him great. It is carried by great performances across the board, and it never feels like it drags on for too long, even though it definitely is of considerable length. Most importantly, it tells an important story that taught me about a group of people I did not know before

This is an excellent period piece that, although it sports an overwhelming amount of protagonists, kept me invested in all of them. I truly felt for each person, although I liked some more than others. A wonderful movie that I'm certain I will watch again

I almost feel guilty for saying this, but this movie is really good. I promise I do understand that it is more so a critique than a glorification of masculinity and consumerism. That does not mean that **** **** isn't very fun to watch. I like Fincher's grimy disgusting worlds so much, and this grimy disgusting film is a great example.

I think this movie made me sad more than anything. I cannot remember any other movie ever doing that while being so lighthearted in its set up. A special piece of filmmaking that manages to cram a lot of emotional impact in a relatively short runtime.

The shortest long movie ever. A thoroughly entertaining watch that is able to somehow get crazier with every scene. Impressive, given that the copious amount of cocaine, prostitutes and a guy swallowing a fish happen quite early on. Very fun movie, although many of its fans aren't.

Probably the most memorable opening scene ever put in a movie. The rest of the scenes are pretty great too, with some awesome performances across the board. I think I hold this film in slightly less high regard than others, but I would still recommend it to nearly anyone.

Probably the greatest pure war spectacle ever showed on screen. That opening scene is a thing of beauty and caution. Incredible sound design and excellent tension throughout. Just an inspirational war movie, and one of Spielberg's best.

I don't think there is anything left to say about Ledger's performance, so I won't. This movie is just a blast to watch really. So many things are happening all the time that you don't even have time to consider the realism or sense of it all. It doesn't have to be anyway, it is a superhero film after all.

I mean, it's Goodfellas. Another movie that just flies by. Some absolutely insane scenes from both a filmmaking and writing perspective. A showcase from one of the best filmmakers at its absolute best. I did not connect completely with the story, but the other parts of the movie more than make up for it.

A movie that is in equal parts spectacular and introspective, much like most of Villeneuves films. This shifted between grandiose and existential so much and so seamlessly that it made it a very memorable film to watch. I cannot wait for part three, that's for sure.

I am quite a bit of a history nerd, but this movie fucks. I could not care less about the historical inaccuracies if the movie that results is this great. Russell Crowe is fantastic in this fantasy that every man has thought about at least once. I know I have, and this movie turned out better than anything I could imagine.

Everything about this movie is just right. The sweeping landscapes, the music and the characters are molded to fit this movie perfectly. A harmony that is difficult to describe. The Good, the Bad and the Ugly could only have been made in the 60s, but it feels timeless even now, 60 years later.

The first like half of this movie confused me when I watched it. It is a wedding that feels like it drags on for an hour, with a seemingly abrupt cut to the horrors that would follow. The second half of this movie then flies by with one of the most heartbreaking stories ever told in a "war" movie. Unbelievable storytelling, and the ending stays with you for some time.

A very harsh and direct film to watch. It doesn't hold back from showing a truly ugly side of humanity. A redemption story with very little redemption. I do have to say that I find that this movie maybe takes too little of a moral stand, something that is artistically viable but potentially divisive as well.

What a loaded cast this movie has. All of them are acting their asses of too. I have not seen the movie that this one was based on so I find the concept of Martin's version very original. Certainly something different from his usual gangster / crime movies. Doesn't really matter though, he still won an oscar for it. I can definitely see why.

This is a special story to tell. One that is very likely to happen to quite a lot of people to a certain extent. It makes the film both more interesting and relatable. There are some truly excellent performances all around, and it makes for a very memorable watch.

A delightfully delicate and careful work of art. The lighting and sets are some of the most beautiful I have seen, the acting is incredible all around, especially Vicky. The score is incredible, and elevates the whole movie. I think that this the most interesting pure romance movie I have seen. Very well done.

Stunning to look at, and is gripping all the way through. I think that the movie does a pretty incredible job in making quite a light hearted movie pack such a punch in the end. This is Gosling doing what he does best, and Dwayne Johnson is pretty good in this one too.

The screenplay of Reservoir Dogs is one of the tightest I have ever watched. The movie is set in a single location, with characters all in black suits, and yet this movie feels more alive and vibrant than 90% of movies made today. Truly good writing can get you very far, and this movie is proof.

Two all-time great performances in this one. It is quite incredible how PTA is often able to perfectly walk the line between real and caricature. I often said in my head that there is no way anyone is like Freddie in this movie, but I cannot truly be sure. A very moving and beautiful film, in its own particular way.

I went in to this expecting a more conventional detective story but I got everything but that. Cure is an excellent psychological thriller that asks some very interesting questions about the human psyche. It kept me on my toes guessing what was really going on and when it clicked during the last seconds of this film it was a weird (but rewarding) feeling.

Possibly the greatest score ever composed, with possibly some of the greatest slow cinematic shots ever creates a near orgasmic experience at points. The narrative is not particularly interesting to me, but it fits the vibe of the movie perfectly. Once Upon a Time in the West is very focused and thorough in expressing its ideas about capitalism and the dying of the west, and I for one welcome it.

A true pillar of the shawshank prison movie feel-good subgenre. A movie that is uplifting through a true and realistic redemption arc. Makes sense, since it is (I think) based on a true story. A must watch if you really want to feel something.

The greatest setpiece of the trilogy takes place in this very film. It might be one of the greatest in any film ever. The second of the trilogy definitely picks up the pace, and it is better because of it. The story isn't overly complex maybe, but who cares? It's the Lord of the Rings!

It truly is a miracle that this movie looked this good in 1993. They did not shy away from showing fantastical things such as moving dinosaurs. Instead, they really made them the stars of the show, like they were just animals from the zoo. A technical masterpiece, coupled with an okay story is all that was needed to make Jurassic Park stand out 30 years later.

There is just something about a bunch of autistic men caring a lot about sport isn't there? I love the sound design in this, it just feels so large. The story is not too special, but it doesn't have to be when it is about cars. It is a great watch.

I realized what Nolan was doing with the timeline on about a third of the movie, and retroactively trying to fit together what has and hasn't happened was an interesting experience to say the least. I do think that the time gimmick serves the story very well, and makes it a more memorable movie because of it.

The first, and in my opinion the weakest of the trilogy. It still is an excellent watch though. If the worst movie in your trilogy is a 9/10, you have done something right. And it serves as an excellent jump off point for the sequels that form this incredible trilogy

I cannot really describe why I like the film as much as I do. The protagonist is an asshole, yet I find myself rooting for him, as if I can sense the goodness that is in him too. I found the last performance and ending scene heartbreaking for that reason. This is what the Coens do best, making the driest humor seem emotional and profound. Fantastic music in this too.

It is remarkable how a movie released in 1976 has grown exponentially in relevance for 50 years now. A very relevant, although for now exaggerated look at how heartless entertainment and capitalism can be. All told through a very entertaining, extremely dense and timeless narrative.

The most elaborate conspiracy theory that I have sat through, and even though a large part of it is probably bullshit, it doesn't really matter. It is so energetic, with many frantic scenes, and it did made me care greatly for something that happened 40 years before I was born. A great watch, even if you disregard its main points beforehand.

A real feel-good movie that, from a pure film-making standpoint is perfect. The story is uplifting, there is something happening at all times, and most, if not all characters are likable to some degree. I only have to dock a few points for the obvious American propaganda on full display. Still fire though.

I don't know what to say. What if believing in what is right is unbearable? I don't know, and this film doesn't tell me either. But it did pose the question. This is one of the bleakest and most horrifying movies I have seen. Ethan Hawke is absolutely brilliant, the dialogue is brilliant, and the way it works with the still images makes every question the movie asks linger for a long time. I had chills during the last half-hour, basically. It challenges me and my way of thinking in just the right ways. Just a stupidly good movie that asks some very profound questions that need to be asked now more than ever.

There is an indescribable beauty found in Perfect Days. I really do not know how to describe it. It is an appreciation of simple things in life, whether it is through a game of tic-tac-toe or taking pictures of trees. It is about caring about people that you only meet once, people you might see once a year. That, paired with Wenders' pensive cinematography and how much he lets the world and characters breathe makes for a truly special experience.

Pure perfection from beginning to end. Thematically, the movie presents a view on social classes from two deeply flawed characters spread over three different acts. The acts all vary in themes, in settings and illustrate the gradual decline through the social ladder. The investigation gives enough clues to move forwards at all times, but withholds enough to allow you to develop your own theories. Incredibly gripping with a thematic density that I have not often seen.

I have probably never been as intellectually engaged with a movie as this one. It works through names, clues and interviews at breakneck speed while offering just enough calm moments to allow me to collect my thoughts. I was so tense during the last half hour even though I know how the story ends. A masterclass in investigative storytelling, and an important one at that.

Amadeus is a truly astonishing work of art. Visually it is breathtaking. The (obviously) orchestral soundtrack is paired with saturated, excessive, unbelievable visual grandiosity. The gradual descent into madness from both Salieri and Mozart is conveyed brilliantly through the actors, but also the music. The story at the heart of it all is very well done. Two people being consumed by a pursuit of greatness in different ways, but both spirals are shown with such care and such great feel for theater that

Yes, it is that good. Dano and Day-Lewis both give some of the most striking and incredible performances I have seen. The visuals, the orchestral soundtrack and the monologues combine into a movie that is iconic for all the right reasons.

A very upsetting film for multiple reasons. The main characters are absolute assholes, but you cannot help rooting for them a bit. The ending is very unsettling, and leaves you unfulfilled, with fulfills the purpose of the film very well. The commentary on sensationalism is also pretty great. The sour taste that the movie leaves behind serves as a great reminder for the greatness of it.

Chinatown is what I thought of when I had to conjure up an image of a detective movie in my head, before I had ever seen it. The narrative has many twists and turns, but it unfolds as it should. The score is brilliant, with the smooth trumpets and the shriek when a clue is uncovered. Nicholson is effortlessly cool, and Los Angeles is the perfect backdrop. A film so good that it almost hurts to see who made it.

I have not often seen cinematography, sound and acting come together in such thematic unity as in The Conversation. Hackman delivers an all time performance, a masterclass in restraint and paranoia. This is reinforced by the camerawork which often feels like it is a hidden camera following Hackman around. The minimalist score completes the trifecta of alienation, which leads to a nearly perfect film.

This is unlike anything I have ever seen. I think I kind of understand Lynch now. The imagery and score evoke a dream-like atmosphere that is in stark contrast to the story and the people in the movie. The characters talk like they have never uttered a sentence before. The movie is incoherent, strange, and otherworldly. Truly an eye opener for me.

The Handmaiden is very pleasing aesthetically, as in the blend of style and realism that this film portrays is stunning. But that is not what the film really is about. From a storytelling perspective, the Handmaiden is incredible. To be able to recontextualize the entire film and whole scenes twice during its runtime is very impressive. I watched the extended version by accident, and the few gripes I had with this movie might very well stem from that choice. Some scenes seemed to drag on slightly too long for me. That doesn't take away from the fact that this is a very well-crafted, thoughtful movie that is very intriguing.

In terms of pure craftsmanship this is the single greatest piece of cinema ever created. It is extremely chaotic, yet it is able to maintain a cinematic harmony and beauty that I have never seen before. It is one awe-inspiring shot after another, and nothing feels out of place. It is only dragged down by the theatrical overacting of some of the narrative.

This movie is excellent in two different genres: it is a great (anti) war movie, with the storming of the ant hill being incredibly immersive and real feeling. Impressive, for a film from 1957. Then there is the legal and social commentary aspect that truly sets Paths of Glory apart from its counterparts. It presents a unique and still very relevant view on the senselessness of war and how power corrupts (nearly) anyone. An incredible feat of anti-war moviemaking.

This movie was very upsetting to watch. Kaluuya delivers an unbelievable performance, the movie is very well directed, with the pace feeling tight and claustrophobic, just like the theme of the movie. The movie pulls no punches in showing the horrors of the situation. I actually felt myself getting angry and saddened by the proceedings. They could have done more to show how terrible the FBI really was, but I think the point came across regardless.

The Social Network is an expertly constructed film. The screenplay is very tight, rapid and precise, with some excellent and punchable performances. I think the music is very good too. The tonal whiplash you get from switching between a meteoric rise of a company and the lawsuits that follow fits really well and never feels out of place. It makes it a riveting watch that never bored me.

Blow Out had me biting my nails when it all came to a close. This is one of the tightest, exciting movies there is. All the while it has a clearly playful aspect to it. It teeters right on the edge of parody and powerful, but it stays on the (in my opinion) right side. It not only provides great commentary on politics, but it also takes a more intimate look at what that can do with a person. The sound design is great too, but that is to be expected of a movie about sounds I guess.

An extremely uncomfortable watch with some of the strongest second-hand embarrassment I have ever felt. The movie is carried by some unforgettable performances, brilliant writing and interesting pacing, which culminates into controlled insanity. An entertaining movie that I will probably not watch again.