Some of the best cinematography I’ve seen in a long time—visually stunning from start to finish, with an incredible variety of techniques that elevate its unique storytelling. I especially loved the claymation at the end and the creative range of shots throughout the film.
Another standout is the casting. I love Simon Pegg, and his range continues to amaze me—from Mission: Impossible to Shaun of the Dead to this. He’s a brilliant actor, and here, he’s used perfectly in the midst of pure madness. (That said, the supporting cast doesn’t quite measure up.)
The script can get a little confusing—it jumps between plots and side plots without staying grounded in the central mystery, frankly I didn't even care about the Hollywood executive by the end of the film. Still, it’s absolutely worth watching for the visuals alone.
Some of the best cinematography I’ve seen in a long time—visually stunning from start to finish, with an incredible variety of techniques that elevate its unique storytelling. I especially loved the claymation at the end and the creative range of shots throughout the film.
Another standout is the casting. I love Simon Pegg, and his range continues to amaze me—from Mission: Impossible to Shaun of the Dead to this. He’s a brilliant actor, and here, he’s used perfectly in the midst of pure madness. (That said, the supporting cast doesn’t quite measure up.)
The script can get a little confusing—it jumps between plots and side plots without staying grounded in the central mystery, frankly I didn't even care about the Hollywood executive by the end of the film. Still, it’s absolutely worth watching for the visuals alone.
