Randomly picked.
Lately I've been curious about newer hungarian films because their era here had passed long before my birth and most of the time mainstream hungarian films were a flop.
Matter of fact, this film was the most expensive one ever in hungary.
The film as a whole was decent, but I have some problems with the acting.
Miklós Vecsei as Semmelweis Ignác was pretty good considering the expected performance in newer ones. There were sometimes when he miscalculated the moment as a whole because when he discovered what was the cause of the deaths he should have had a mental collapse rather than an outburst of happiness.
Nagy Katica as Emma Hoffman had left me with questions. I couldn't decided whether her character was written to be so robotic and inhumane or not. The character itself didn't showed almost any feelings, and most of the she was awkward to watch. Her relationship with Ignác was rushed and flat, they should have given more time to both of them to move around without any haste.
The scene at the ball was hollow and felt like an everyday thing in the aristocratic social layer in Austria - however the wife managed to recover within 1/1,5 months after her throat was slit up. Not to mention that his husband managed to didn't even care about his wife's throat being slit up in front of him. After her death he showed a little empathy to her but a little more anger towards Ignác.
Ignác's close friends death was as comedic as it seemed. His final speech was ridiculous, and Ignác managed to don't even care about it at all. The mental toll on him wasn't shown perfectly and the whole "let's find the problem with the deaths" was unprofitable for us viewers because the writers should have shown more care and time with the current(at the time) tools and how those are the common and accepted tools in the "right" environment. We knew the problem since the beginning because it was common knowledge, but that time it wasn't. The whole movie's whole plot should have been the goal to convince the viewers about the films common knowledge.
And there were multiple subplots with little to know end.
It could have been a much better experience with a proper writing team.

Randomly picked.
Lately I've been curious about newer hungarian films because their era here had passed long before my birth and most of the time mainstream hungarian films were a flop.
Matter of fact, this film was the most expensive one ever in hungary.
The film as a whole was decent, but I have some problems with the acting.
Miklós Vecsei as Semmelweis Ignác was pretty good considering the expected performance in newer ones. There were sometimes when he miscalculated the moment as a whole because when he discovered what was the cause of the deaths he should have had a mental collapse rather than an outburst of happiness.
Nagy Katica as Emma Hoffman had left me with questions. I couldn't decided whether her character was written to be so robotic and inhumane or not. The character itself didn't showed almost any feelings, and most of the she was awkward to watch. Her relationship with Ignác was rushed and flat, they should have given more time to both of them to move around without any haste.
The scene at the ball was hollow and felt like an everyday thing in the aristocratic social layer in Austria - however the wife managed to recover within 1/1,5 months after her throat was slit up. Not to mention that his husband managed to didn't even care about his wife's throat being slit up in front of him. After her death he showed a little empathy to her but a little more anger towards Ignác.
Ignác's close friends death was as comedic as it seemed. His final speech was ridiculous, and Ignác managed to don't even care about it at all. The mental toll on him wasn't shown perfectly and the whole "let's find the problem with the deaths" was unprofitable for us viewers because the writers should have shown more care and time with the current(at the time) tools and how those are the common and accepted tools in the "right" environment. We knew the problem since the beginning because it was common knowledge, but that time it wasn't. The whole movie's whole plot should have been the goal to convince the viewers about the films common knowledge.
And there were multiple subplots with little to know end.
It could have been a much better experience with a proper writing team.

bazdmeg lehet moziba fejembe szállt a klórmeszes víz, de ez most visszanézve borzalmasan gyenge.
nagy katicának nem tudom, h végig szorulása volt vagy mi, de egyetlen egy arckifejezéséről mindig ez jutott eszembe. a vécsei h. meg mindig elkúrta a fontos jeleneteit, de valamiért büdzsé nem volt, hogy újra felvegyék. az meg a másik, h így a dunába mártott arcával mindig a sírás szélén állt barátunk.
jó látványilag nem volt gázos, a többi alakítás meg nem volt kiemelkedő, hogy megjegyezni valóm legyen.
a folyamatos kliséket meg nem kezdem el kiemelni, mert sokáig itt ülnék, annyit meg nem ér azért meg; de többször is a hideg futott a hátamon, mikor előrántották a hallottban megfekvő, 10 éve lejárt plot twistjeit meg rohasztó szerelmk szálát. de ez kell a magyarnak nem? hát nem elvagyunk? hááát, szerintem még magyar filmhez képest is lehangoló és ezen sajnos az idő se fog segíteni

bazdmeg lehet moziba fejembe szállt a klórmeszes víz, de ez most visszanézve borzalmasan gyenge.
nagy katicának nem tudom, h végig szorulása volt vagy mi, de egyetlen egy arckifejezéséről mindig ez jutott eszembe. a vécsei h. meg mindig elkúrta a fontos jeleneteit, de valamiért büdzsé nem volt, hogy újra felvegyék. az meg a másik, h így a dunába mártott arcával mindig a sírás szélén állt barátunk.
jó látványilag nem volt gázos, a többi alakítás meg nem volt kiemelkedő, hogy megjegyezni valóm legyen.
a folyamatos kliséket meg nem kezdem el kiemelni, mert sokáig itt ülnék, annyit meg nem ér azért meg; de többször is a hideg futott a hátamon, mikor előrántották a hallottban megfekvő, 10 éve lejárt plot twistjeit meg rohasztó szerelmk szálát. de ez kell a magyarnak nem? hát nem elvagyunk? hááát, szerintem még magyar filmhez képest is lehangoló és ezen sajnos az idő se fog segíteni

21º SeFF - DÍA 1 - SELECCIÓN EFA 

Una sorpresa en 2 sentidos: primero porque lo que menos esperaba hoy era poder entrar a una sala a ver una peli y la segunda porque me ha gustado MUCHÍSIMO. La peli tenía muy buena pinta pero es que realmente es tremendamente interesante, con un guion con el que no quitas ojo en ningún momento y con una historia increíble. Lo que sí me hubiese gustado es haber visto los últimos 10 minutos, pero bueno ya tanto no se puede pedir 😔🙏🏻 (estaré muy pendiente de su llegada a cines o plataformas para poder volverla a ver con final incluido)

21º SeFF - DÍA 1 - SELECCIÓN EFA 

Una sorpresa en 2 sentidos: primero porque lo que menos esperaba hoy era poder entrar a una sala a ver una peli y la segunda porque me ha gustado MUCHÍSIMO. La peli tenía muy buena pinta pero es que realmente es tremendamente interesante, con un guion con el que no quitas ojo en ningún momento y con una historia increíble. Lo que sí me hubiese gustado es haber visto los últimos 10 minutos, pero bueno ya tanto no se puede pedir 😔🙏🏻 (estaré muy pendiente de su llegada a cines o plataformas para poder volverla a ver con final incluido)

hot

hot

#272
That one moment when one of the women stood up and said aloud "Semmelweis is the saviour of mothers" was so bad I almost laughed aloud.

Which would have been bad since one of my previous history teachers and one of my current professors were both in the packed cinema.

#272
That one moment when one of the women stood up and said aloud "Semmelweis is the saviour of mothers" was so bad I almost laughed aloud.

Which would have been bad since one of my previous history teachers and one of my current professors were both in the packed cinema.