Has anyone coined the term wuxiasatsu yet?
Child of Peach combines tokusatsu-esque effects and makeup with the fantastic and wonderous martial arts of wuxia. The movie treads territories of cinematic insanity with things like a urinating peach and a humanoid shark character (think Kisame from Naruto). It’s a smorgasbord of spectacle unconcerned with logic or cohesion. There’s a plethora of physical hijinks and absurd humour. At one point, child guardian ninja characters turn into animals and piss in the adults’ cups for revenge.
The score resembles The Neverending Story and similarly features a child protagonist of great power and ability. Here though, the child possesses super strength with such feats as a Commando log carrying shot. The middle chunk features the peach child hilariously aging instantaneously thanks to fairy magic. This bypasses any time needed for the hero to develop, shortcutting to the climactic battles which thankfully take up about the last third of the movie.
While the humour didn’t connect completely, it feels impossible to not tip your hat to the commitment of absurd fantasy and self-reveling. The martial arts are quite good, even more so considering a great deal of the fight scenes prominently feature the child actors. Not to mention there is a respectable amount of gore and shocking violence including an exploding head and real people lit on fire. The true final battle, between the villain, King Devil, and spoilers, I’m not telling is a sight to behold. Flabbergasted.
I had never heard of Chen Chun-Liang before this film, but considering what I just witnessed and a peak at the rest of his filmography, he may very well be one of the best kept secrets in all of cinema.
Has anyone coined the term wuxiasatsu yet?
Child of Peach combines tokusatsu-esque effects and makeup with the fantastic and wonderous martial arts of wuxia. The movie treads territories of cinematic insanity with things like a urinating peach and a humanoid shark character (think Kisame from Naruto). It’s a smorgasbord of spectacle unconcerned with logic or cohesion. There’s a plethora of physical hijinks and absurd humour. At one point, child guardian ninja characters turn into animals and piss in the adults’ cups for revenge.
The score resembles The Neverending Story and similarly features a child protagonist of great power and ability. Here though, the child possesses super strength with such feats as a Commando log carrying shot. The middle chunk features the peach child hilariously aging instantaneously thanks to fairy magic. This bypasses any time needed for the hero to develop, shortcutting to the climactic battles which thankfully take up about the last third of the movie.
While the humour didn’t connect completely, it feels impossible to not tip your hat to the commitment of absurd fantasy and self-reveling. The martial arts are quite good, even more so considering a great deal of the fight scenes prominently feature the child actors. Not to mention there is a respectable amount of gore and shocking violence including an exploding head and real people lit on fire. The true final battle, between the villain, King Devil, and spoilers, I’m not telling is a sight to behold. Flabbergasted.
I had never heard of Chen Chun-Liang before this film, but considering what I just witnessed and a peak at the rest of his filmography, he may very well be one of the best kept secrets in all of cinema.