Men are being murdered by a psycho called "The Telegian," who uses a matter-transmitting device to locate his victims.
Directed by Jun Fukuda
IMDB
N/A
Letterboxd
3.2 / 5
Where to Watch
Cast
Koji Tsuruta
Masaru Kirioka
Yumi Shirakawa
Akiko Nakajo
Seizaburō Kawazu
Boss Onishi
Yoshio Tsuchiya
Det. Capt. Onosaki
Tadao Nakamaru
Goro Nakamoto (Lance Corporal Sudo)
Akihiko Hirata
Inspector Kobayashi
Takamaru Sasaki
Dr. Niki
Yoshibumi Tajima
Fuyuki Murakami
Dr. Miura
Ikio Sawamura
Amusement Park Announcer
Sachio Sakai
Taki
Shin Ōtomo
Tsukamoto
Crew
Jun Fukuda
Director
Shinichi Sekizawa
Screenplay
Sei Ikeno
Original Music Composer
Tomoyuki Tanaka
Producer
Eiji Tsuburaya
Visual Effects
Eiji Tsuburaya
Visual Effects Director
Eiji Tsuburaya
Special Effects
Masakatsu Asai
Special Effects
Masakatsu Asai
Special Effects Assistant
Masakatsu Asai
Visual Effects
Masakatsu Asai
Visual Effects Director
Teruyoshi Nakano
Special Effects
Popular Reviews
3 reviews
Callum Harmon
4.1★ · 04/12/23
Not a bad debut from Jun Fukuda. Definitely the weakest of Toho’s weird guy movies from this era. Competent but inferior to Honda can explain the entirety of Fukuda’s career unfortunately:/ Which is a real shame to be in that position in the first place.
Nevertheless it’s still an incredibly interesting movie as it almost feels closer to the technology based j-horror of the 90’s as opposed to it’s contemporaries. From the look of the killer to the curse/revenge style of the killings. It’s such an interesting look into what was to come.
It’s always a treat to watch Tsuburaya play his favorite game of “how can I fit in miniature destruction into this giant monsterless movie”.
Not a bad debut from Jun Fukuda. Definitely the weakest of Toho’s weird guy movies from this era. Competent but inferior to Honda can explain the entirety of Fukuda’s career unfortunately:/ Which is a real shame to be in that position in the first place.
Nevertheless it’s still an incredibly interesting movie as it almost feels closer to the technology based j-horror of the 90’s as opposed to it’s contemporaries. From the look of the killer to the curse/revenge style of the killings. It’s such an interesting look into what was to come.
It’s always a treat to watch Tsuburaya play his favorite game of “how can I fit in miniature destruction into this giant monsterless movie”.
