Recreating the running sequence from The 400 Blows, Sharon Lockhart tries to tap into that same sense of childhood innocence lost. Without the context around it, the sequence is not as effective, however. This is not to say that the recreation isn’t well done, just that divorced from a story the emotional weight is not the same.
Recreating the running sequence from The 400 Blows, Sharon Lockhart tries to tap into that same sense of childhood innocence lost. Without the context around it, the sequence is not as effective, however. This is not to say that the recreation isn’t well done, just that divorced from a story the emotional weight is not the same.
