Radhika Apte shines, but the story feels generic.

Good as a suspense thriller, but only average as a story. The plant element is an interesting touch, and the performances are clearly the highlight of the film.
Radhika Apte is outstanding as always, delivering a powerful performance with strong expressions and dialogue delivery. Divyendu does a fairly good job, while Anurag Kashyap is decent in his limited screen time. It’s nice to see Sharat Saxena again, though his character feels a bit convenient to the script, coming and going as needed. Anshumaan Pushkar is very good as the careless, gambling husband, and Sauraseni Maitra brings charm to her role.
The story itself is fairly standard and not particularly groundbreaking, though still engaging enough as a thriller. The editing feels a bit flat and messy at times, especially when it comes to establishing different locations, which can be slightly confusing.
P.S.: Funny how the title works as a double entendre, something I didn’t realize before watching.

Radhika Apte shines, but the story feels generic.

Good as a suspense thriller, but only average as a story. The plant element is an interesting touch, and the performances are clearly the highlight of the film.
Radhika Apte is outstanding as always, delivering a powerful performance with strong expressions and dialogue delivery. Divyendu does a fairly good job, while Anurag Kashyap is decent in his limited screen time. It’s nice to see Sharat Saxena again, though his character feels a bit convenient to the script, coming and going as needed. Anshumaan Pushkar is very good as the careless, gambling husband, and Sauraseni Maitra brings charm to her role.
The story itself is fairly standard and not particularly groundbreaking, though still engaging enough as a thriller. The editing feels a bit flat and messy at times, especially when it comes to establishing different locations, which can be slightly confusing.
P.S.: Funny how the title works as a double entendre, something I didn’t realize before watching.

Damn, the title itself was a hint. Saali Mohabbat.



The lesson I learned?
Never lick a page to turn it.
That bit was genuinely funny. Divyendu refusing tea but casually licking the paper was peak irony.


What threw me off though, was the logic. A paralysed man stuffed into a sack and dumped into a river in the middle of a hilly forest and he’s still alive? How?



Genuinely this plot can be predicted but it was good tho..

Damn, the title itself was a hint. Saali Mohabbat.



The lesson I learned?
Never lick a page to turn it.
That bit was genuinely funny. Divyendu refusing tea but casually licking the paper was peak irony.


What threw me off though, was the logic. A paralysed man stuffed into a sack and dumped into a river in the middle of a hilly forest and he’s still alive? How?



Genuinely this plot can be predicted but it was good tho..