Esta película me da vibras de esos videojuegos de pistolas de los 2010s, siento que huele a azufre y carbón, dejando eso, esta película es bastante decente a comparación de la uno, en vez de meter un romance forzado qué acapara la mitad de la película cuando se supone que se trata de ACCION, en esta película gracias al universo no pasa eso, la acción es cruda y directa, con peleas muy bien coreografiadas y una fotografia fría, aunque me hubiera gustado que Dolph Lundgren saliera más en pantalla

Esta película me da vibras de esos videojuegos de pistolas de los 2010s, siento que huele a azufre y carbón, dejando eso, esta película es bastante decente a comparación de la uno, en vez de meter un romance forzado qué acapara la mitad de la película cuando se supone que se trata de ACCION, en esta película gracias al universo no pasa eso, la acción es cruda y directa, con peleas muy bien coreografiadas y una fotografia fría, aunque me hubiera gustado que Dolph Lundgren saliera más en pantalla

No one’s gonna believe me but this is one of the best action films of the 21st century

No one’s gonna believe me but this is one of the best action films of the 21st century

a simply filmed gritty and calm yet violent action film that relies on its somber tone and mood of its environment to evoke effective emotion and badass action. hardly ever using any complex cinematography or editing, never really focusing on how deep to view its subjects yet there’s a lot of depressing empathetic moments with Van Damme’s character Deveraux.

starting off with a generic execution of how terrorism is viewed by the united states. what makes the world a better place? the views on morality and if it’s justified by violent action or not is the question this film turns to.

universal soldier: regeneration knows how to handle sequences when subjects just fall off of buildings and going through walls and keep fighting like it’s nothing. slow, brittle and brutal action sequences that contain raw looking blood alongside the men with silent voices and confused yet target controlled eyes.

JCVD’s acting is very subtle yet extremely effective. he’s hardly ever a person that’s mentally there but you could see the lifeless eyes he has. he’s a person who’s trying his best to get accustomed to life again after the tragic events of the vietnam war then the sudden revival of his life comes only due to the fact that the government wants to use him as a dangerous animal.

in this sequel, he feels like he’s finally released from the governmental control but is still struggling with his inner demonic trauma. imagine feeling free but you can’t quite get ahold of yourself and you keep wanting to try again then the government brings you back to repeat the process so you could handle their dirty work.

lundgren’s character, scott plays a short part in the film but it’s terrifying and gives off the perfect menacing villain needed for the climax. his few words strike a core with the question, “what does it mean to live”. his existence is questioned but he has a goal, it’s never known why and that’s what makes it sad.

honestly, one of the most beautiful action films made in the last 20 years, impressively done with its visually dull atmosphere. a great build up film.

a simply filmed gritty and calm yet violent action film that relies on its somber tone and mood of its environment to evoke effective emotion and badass action. hardly ever using any complex cinematography or editing, never really focusing on how deep to view its subjects yet there’s a lot of depressing empathetic moments with Van Damme’s character Deveraux.

starting off with a generic execution of how terrorism is viewed by the united states. what makes the world a better place? the views on morality and if it’s justified by violent action or not is the question this film turns to.

universal soldier: regeneration knows how to handle sequences when subjects just fall off of buildings and going through walls and keep fighting like it’s nothing. slow, brittle and brutal action sequences that contain raw looking blood alongside the men with silent voices and confused yet target controlled eyes.

JCVD’s acting is very subtle yet extremely effective. he’s hardly ever a person that’s mentally there but you could see the lifeless eyes he has. he’s a person who’s trying his best to get accustomed to life again after the tragic events of the vietnam war then the sudden revival of his life comes only due to the fact that the government wants to use him as a dangerous animal.

in this sequel, he feels like he’s finally released from the governmental control but is still struggling with his inner demonic trauma. imagine feeling free but you can’t quite get ahold of yourself and you keep wanting to try again then the government brings you back to repeat the process so you could handle their dirty work.

lundgren’s character, scott plays a short part in the film but it’s terrifying and gives off the perfect menacing villain needed for the climax. his few words strike a core with the question, “what does it mean to live”. his existence is questioned but he has a goal, it’s never known why and that’s what makes it sad.

honestly, one of the most beautiful action films made in the last 20 years, impressively done with its visually dull atmosphere. a great build up film.