Six images of water are brought together in a composition in which rhythmical combinations of frames, presented in repetitive but slightly varying sequences, build up a silent yet dramatically developing performance. The individual images of water, either standing still, falling down, or collecting in the lower part of the sluice, are broken into small segments as if they were the founding notes of a piece of modern music. Again, qualities of time and movement prevail in the creation of a highly sensual cinema in which logic is replaced by a new order.
