Claudia is a workaholic event planner. When a colleague asks her to plan her wedding, she starts to notice a lot of issues with the ceremony and changes it's location on the last minute, unfolding on a series of unfortunate events.
Directed by Sebastián De Caro
IMDB
N/A
Letterboxd
3.1 / 5
Cast
Dolores Fonzi
Claudia
Laura Paredes
Pere
Paula Baldini
Jimena
Julián Kartun
Julián
Gastón Cocchiarale
Maxi
Jorge Prado
Horacio Sánchez
Santiago Pedrero
David
Julieta Cayetina
Rita
Santiago Gobernori
El mago
Valeria Correa
Elisabeth
Pilar Gamboa
Voz de coordinadora SK
Walter Donado
Rubén
Crew
Sebastián De Caro
Director
Sebastián De Caro
Writer
Rosana Ojeda
Producer
Sebastián Perillo
Producer
Popular Reviews
3 reviews
vale
5.0★ · 09/10/23
"el puerperio de las casadas"
muy buena propuesta sin embargo se me pasó muy lento y algunas cosas son confusas no sabía que estaba lali ajsja mi parte favorita cue cuando dolores fonzi dijo 4 y levantó 3 dedos amé que todo sea rojo y azul
"el puerperio de las casadas"
muy buena propuesta sin embargo se me pasó muy lento y algunas cosas son confusas no sabía que estaba lali ajsja mi parte favorita cue cuando dolores fonzi dijo 4 y levantó 3 dedos amé que todo sea rojo y azul
Ale
This was a really moving film that effectively used close-ups to allow the audience to inhabit the perspective of the character. It's impressive how it explores topics like transness in such a subtle but powerful way. It doesn't telegraph what it's trying to say and there is very little dialogue yet one can still feel the storm of emotions that is overtaking the protagonist. This film really embraces the complexity of the intersectional identities of the protagonist instead of attempting to simplify it for people who don't identify with any of the protagonist's identities and the film is much stronger for it.
This was a really moving film that effectively used close-ups to allow the audience to inhabit the perspective of the character. It's impressive how it explores topics like transness in such a subtle but powerful way. It doesn't telegraph what it's trying to say and there is very little dialogue yet one can still feel the storm of emotions that is overtaking the protagonist. This film really embraces the complexity of the intersectional identities of the protagonist instead of attempting to simplify it for people who don't identify with any of the protagonist's identities and the film is much stronger for it.
