Mainly working with simple, soft-lined drawing animation, Yamamoto aggressively takes in live action images from the late 1980s. Though this piece starts out with live action filming, the eventual appearance of the "phenakistoscope" animation composed with live action images is a true gem. Yamamoto always has been acknowledged for her skill in blowing in "anima – spirit" and boldly tries out a new experiment of blending it in with the live action image. What is awesome is that the huge phenakistoscope that appears in the live action shooting with no composites has power to nullify virtual distance and existence within what is called the image. There, a "composite-like reality" emerges.
