oh school modern history you have impressed me yet again!
the intertextual references was always so heartbreaking, it is so gut wrenching to see the reality be explained from a first hand experience rather than the accounts that we have been taught, the white mans recounts. this documentary is so devastating, whenever femi would talk directly about paul voulet as if he was listening, blaming him directly because he is the one who caused all this pain and suffering through the massacres and torture.
they only cared once the white man died, the community gathers around the grave of paul voulet, enraged, for they have to protect his grave as it is historical, but he is the one who caused the devastation. the genocide stopped once paul voulet killed a white man, they explain it as him being the first man killed which really highlights the dehumanisation of which they went through at the hands of paul voulet, a man killing for the sake of killing.
the cinematography and camera techniques were genuinely breathtaking, the way that the camera will focus on femi, the community, the land and then historical artifacts.
oh school modern history you have impressed me yet again!
the intertextual references was always so heartbreaking, it is so gut wrenching to see the reality be explained from a first hand experience rather than the accounts that we have been taught, the white mans recounts. this documentary is so devastating, whenever femi would talk directly about paul voulet as if he was listening, blaming him directly because he is the one who caused all this pain and suffering through the massacres and torture.
they only cared once the white man died, the community gathers around the grave of paul voulet, enraged, for they have to protect his grave as it is historical, but he is the one who caused the devastation. the genocide stopped once paul voulet killed a white man, they explain it as him being the first man killed which really highlights the dehumanisation of which they went through at the hands of paul voulet, a man killing for the sake of killing.
the cinematography and camera techniques were genuinely breathtaking, the way that the camera will focus on femi, the community, the land and then historical artifacts.
