Josie: Freakin' fantastic! Don't you see? None of us has to run away or turn ourselves in.

Charlie: What do you propose? We roam the country living on the land, like Bonnie and Clyde... and Clyde?

Big Nothing is a David Schwimmer movie with Simon Pegg (and my queen) Alice Eve. It’s a crime movie with so many fun sequences of murder. It’s consider a crime comedy about three people doing a blackmailing scheme that goes horribly wrong in the best way possible. It’s filled with everything including Simon Pegg doing an English accent.

But please, if you haven’t watched this, go watch it. It’s so much fun and a great quality for a indie movie.

Josie: Freakin' fantastic! Don't you see? None of us has to run away or turn ourselves in.

Charlie: What do you propose? We roam the country living on the land, like Bonnie and Clyde... and Clyde?

Big Nothing is a David Schwimmer movie with Simon Pegg (and my queen) Alice Eve. It’s a crime movie with so many fun sequences of murder. It’s consider a crime comedy about three people doing a blackmailing scheme that goes horribly wrong in the best way possible. It’s filled with everything including Simon Pegg doing an English accent.

But please, if you haven’t watched this, go watch it. It’s so much fun and a great quality for a indie movie.

Holy moly

Holy moly

Ugh, Ross still remains the worst.

Somehow despicable, constantly lying and backstabbing Simon Pegg is still infinitesimally more likable than any David Schwimmer.

Weirdly edited, to a distracting level, this film really wants to be Shallow Grave meets Lock Stock and Smoking Barrel, but never really seems to understand the underlying stylistic choices that make either/both of those work.

Ugh, Ross still remains the worst.

Somehow despicable, constantly lying and backstabbing Simon Pegg is still infinitesimally more likable than any David Schwimmer.

Weirdly edited, to a distracting level, this film really wants to be Shallow Grave meets Lock Stock and Smoking Barrel, but never really seems to understand the underlying stylistic choices that make either/both of those work.